Saturday, August 9, 2008

Fix You (Piano Vocal, Sheet Music)

FIX YOUSeries: Piano VocalArtist: ColdplaySheet music.


Whether its true or not, most everyone agrees that wedding DJs are expensive. A popular tip circulating the net is to replace your wedding DJ with an iPod and DJ your reception yourself. While this may sound like a great idea, there are some things to consider. Just as with any do-it-yourself project, you must be aware of all facets before you start.

The first most important job for a good DJ is to play music that the crowd enjoys. A simple shuffle has no way of knowing who is dancing to what. A person does need to run things, but not just any person will do. Putting your 12 year old nephew won't do you any good. The person in charge of the music needs a large amount of music knowledge. A good DJ should have this knowledge. A good DJ should be able to identify a song based on a few bars hummed out of tune or a snippet of lyrics that are slightly incorrect. Your DJ must not have a fear of speaking in front of a crowd, and this is not as easy as it sounds. One simply has to think of all the Best men who have hemmed and hawed their way through a wedding toast with the microphone held at waist level. Also, does he/she know how to auction off a garter or any of the other traditional reception activities? If not, will the bride and groom want to do these things while they should be enjoying their guests? Oh, and just like you would give your wedding singer or officiant a tip for performing your ceremony, don't forget a gratuity for your impromptu DJ.

Unless you're a music collector, chances are you don't have a music library with waltzes, polkas, old country, new country, oldies, classic rock, new rock, soft rock, hard rock, hip hop, dance, etc. And, unless you want to subject your guests to your musical tastes, you should probably buy a selection of these songs. If you're not up on popular waltzes and polkas, or don't know which songs are currently topping the country Top 40, search the web. $25 dollars should buy you enough music on iTunes to cover enough various musical tastes that most guests will enjoy themselves.

Another task for a good wedding DJ is one who is covered by insurance. Sure, your homeowners policy *might* cover it, but I'd hate to see your premiums next year if an accident does occur. Don't think accidents will happen to you? Are you serving alcohol at your reception? If you're telling yourself, "All the drunk people I know never act like fools!", stop and think about that again. Besides, many venues require proof of insurance because they don't want to see their premiums raised because your grandma tripped on a speaker cable and broke her hip. Searching the web for "wedding event insurance" will yeild a whole crop of insurers who will give you a $1 million dollar policy for around $200.

Equipment is of course another important factor a good DJ brings to your reception. Do you know where to get speakers? Or mics? Or Mixer?? Larger cities will have rental companies that can provide these things. You can even find many such companies by searching the web for "dj equipment rental". Most wedding sized systems rent for anywhere from $250 to $500 dollars per day. In most cases, you must provide a truck or van to transport the equipment. Now, do you know how to set these things up? If not, will the rental company give you a tutorial? Some rental companies will give you a tutorial when you pick the equipment up, but make sure to take notes, because if you have to call them later they will likely charge you for a service call. Some equipment rental companies will deliver, setup, and test their equipment as well as pick up later, but this is extra.

That being said, if you KNOW your group will interact without being prompted (or just don't care if they interact or not), and if you've got a person with an encyclopedic knowledge of music that will run your iPod (instead of enjoying your reception), and you have adequate insurance to cover any accidents that occur due to your iPod setup, and you have a large enough music library to make sure everyone gets to hear the music they want, and you're able to get your hands on adequate dance lights and speakers, and will be saving money by spending $550 to $700 then by all means use an iPod. You honestly have no need for a DJ.

If planning and organizing all this sounds like just one more hassle, you'd probably do better to hire a professional so that you can enjoy your reception and spend your first day as husband and wife doing something besides returning rental equipment. For a few dollars more you'll get professional equipment, professional knowledge from someone who has planned and performed at hundreds of weddings, peace of mind that any glitches will be resolved quickly, no hassles about tearing down equipment when the reception is over, and no worries about getting it back before you owe another day's worth of rental fees.

Tim and Tammy Smith own and operate By Request DJ & Karaoke Company in Fargo, ND. They have performed at over 1000 wedding receptions in their 15 years of business. Visit their site at http://www.byrequest.dj

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Sweatshirt White " Love Latin Rap " Music

This is a great sweatshirt. Great gift. All TopExpressions products are made under strict quality controls. 100% cotton, weight aprox 25oz.


Learning jazz guitar can be intimidating and overwhelming for a beginning student. Unlike styles like rock, blues, and classical, jazz guitar demands that a musician master a wide variety of skills, including jazz guitar scales.

If you are absolutely fresh on jazz guitar, the first thing you've got to wrap your fingers around is the major scale and its modes. It's the reference against which all other scales are defined. Learn them in position as well as up and down single strings. It's also cool to practice them in one, two, and three octaves.

Once you've got those under your fingers and in your ears, it's time to start learning the melodic minor scale on guitar. The difference between a melodic minor scale and a major scale is only one note, the flat third. The melodic minor scale also has some really cool sounding modes, like lydian dominant which works over a 7#11 chord.

It's also important to learn your pentatonic scales. Most guitarists coming from a rock, blues, or country background are already familiar with the minor and major pentatonic scales, and if you aren't you have to check them out. The blues scale is also useful.

A common trap that students of jazz guitar fall into is only practicing scales up and down. Of course, it's important and is the first step to mastering jazz guitar scales. But if you're at a point where it's comfortable to play ascending and descending scales and you feel comfortable with the notes, the next step is to start practicing intervals and sequences. Also, try to vary the rhythm in your scale practice.

Learning jazz guitar scales is an essential part of mastering jazz guitar.

I like to play guitar. Check out my website.

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The Future is Unwritten-DVD Documentary

Julien Temple, one of the early documentarians of the London punk scene and director of the 2000 Sex Pistols film The Filth and the Fury, turns his attention now to that other seminal British band: The Clash--or more accurately, to the band's co-founder, lyricist, rhythm guitarist and lead singer, Joe Strummer. The Future is Unwritten is more than just a biography of Strummer; it is a tribute and exploration of a musician, artist and devoted humanist. Though Temple respects and admires Strummer (his influence is exalted by close friends, peers and fans like Bono and John Cusack), he doesn't romanticize this larger-than-life personality and presents Strummer honestly and not always in flattering light, though the director's fondness for his subject is constant. Most movingly, Strummer himself provides the narration via reassembled excerpts from a variety of interviews and the BBC radio show he hosted during the nineties. In the wrong hands, this could be contrived, but in this masterful documentary it serves as a testament to not just Joe Strummer the myth, but Joe Strummer the man, telling us his story in vivid detail. The Future is Unwritten is a moving and personal portrait of a musician who helped shaped not just punk, but modern music as a whole. --Kira Canny
Customer Review: Amazing movie about a rock legend
There have been several movies made about Joe Strummer but Julien Temple's is unique in its personal touch. Temple was a friend of Strummer's for many years and so had insight into the man behind the music that many people did not have. The movie consists of Joe's life story as told by many friends, acquaintances, fellow artists and others who knew him or were influenced by him over the years. Amazing music, very well put-together, and just a great story about a man who was a huge influence on rock & roll and politics during his time on this earth. Joe was taken from the world too early when he died unexpectedly in December 2002 and after watching this movie one can only wonder what more he would have accomplished. The opening scene of Joe singing "White Riot" a capella in the studio is complemented by the closing scene of Joe and Mick Jones reuniting on stage 20+ years later to perform the same song...even though they were old (and Mick a little bald!) they still ROCKED. If you like the Clash, you must see this movie!!




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Coldplay (Group B&W) by Anonymous - 24 x 36 inches - Fine Art Print / Poster

Fine art poster print


One of the more striking aspects of the Beijing Opera is the Masks and Facial Make-up used to portray the various characters in a production. The use of symbolic colors, stylized lines, and fantastical facial exaggeration all serve the performance magic and grandeur. There is really nothing that compares to a skillful and artistic rendition of one of China's favorite stories from historical events and classical literature.

The current Beijing Opera originated from a combination of several sources. In 1790, the four great theatre groups from Anhui came to perform for the Royal Family. They used the traditional melodies and aria called Xi Pi. Around 1828, performers from Hubei joined them to form a combined troupe adding their own music called Er Huang. Thousands of pieces were performed regaling great tales of historic events and popular literature as well as their own versions of Western stories.

There have been scholarly discussions concerning the origins of Chinese theatrical mask wearing and face painting. A widely held theory is that face painting developed from the dances called " Lanlingwang (Prince Lanling)" from the Tang Dynasty (A.D. 618-907).

Another possible origin of this practice is rooted in the ancient use of Masks and Make-up in religious ceremonies, particularly exorcisms. There are examples of artwork that show shamans and other actors with stylized painted faces. Upon closer examination, these look very much like the early used of face painting and mask wearing in the Chinese opera theatre.

There is an old saying from the Song (960-1279) and Yuan (1271-1368) dynasties that was, "Shentou guimian", or "masks for Gods, make-up for ghosts." It meant that to play a god you must wear a mask, but to play a ghost all you needed was to slap some paint on your face. This followed the idea that gods were sacred and it would be sacrilegious, perhaps even dangerous, to portray them, whereas ghosts, the embodiment of disease, poverty and evil were not subject to such respect. Craftsmen who carved Deity masks believed that as soon as the eyes were carved out of a piece of art, it then became animated with the spirit of the gods.

Over time, actors began to think that it was less a sin to portray gods and spirits on the stage instead of in temples and palaces. They started to favor make-up over the stoic solid masks in performance. This allowed for more expression over the "dead face" of a mask to the "live face" of paints and dyes.

For the longest time, performers took great liberty in their choice of paint methods and colors. Later, during the Qing Dynasty (1644-1911) did there become some conventions and standards. An agency called Shengpingshu (Shengping Agency) was in charge of the affairs of opera performance. They established painting of more than 200 of the current operas with detailed instructions on the character make-up patterns. This became the official standard for face painting.

There are four basic categories of characters in the standard Beijing Opera.

SHENG - Male roles

DAN - Female Roles

CHOU - Comedy roles

JING - Painted face males

Jing, usually males, are the roles with facial painting representing warriors, heroes, statesmen, adventurers, and demons. Jing are found in three basic categories: Zhengjing, Fujing, and Wujing.

The JING roles are more known for courage and resourcefulness than for intelligence. Sometimes a High-ranking General or Warrior/General they usually have a swagger and great self-assurance. There are many common color schemes associated with Jing roles but some have more convention and are easily recognizable.

The compositions of face painting are classified into several patterns based on the belief that a person's face can reveal much about their personality. The overall designs of the face painting are given names like, "three-tiles face", "six-tenths face", "cross face", "slant face", "butterfly face" as well as many, many others.

The colors used on a Jing actors face have symbolic meaning.

RED - Good character, heroic

WHITE - Sneaky and treacherous

GREEN - Rash, lacking self-control

BLACK - Brusque character

BLUE - Wild nature, a robber or thief

GOLD/SILVER - Used only for Gods and Spirits

There are two main types of facial decorations in Chinese Opera: Masks and Facial Painting. Sometimes there are many changes of masks and make-up (even some without the audience's knowledge), this is called Changing Faces. It is a difficult technique that is only mastered after many years of serious and extensive training. This is sometimes used to display the feelings of a character or change the energy of the particular scene. Facial changes for sudden emotional changes are usually done in four ways:

BLOWING DUST - The actor blows black dust concealed in his palm so that it blows back into his face.

MANIPULATING BEARD - Beard colors can be changed while the beard is being moved from black to gray to white showing anger or excitement.

PULLING DOWN MASKS - The actor can pull down a mask that has been sitting on top of his head to communicate a special emotional change.

MOP - The actor mops out the greasepaint hidden in his sideburns or eyebrows to change his facial appearance.

The colorful and flamboyant Jing characters of Beijing Opera theatre with the Beijing Opera Mask as well as facial make-up are enduring part of this very exquisite and beautiful art form. Audiences around the world marvel at the technical virtuosity as well as the austerity of the productions in this symbolic Chinese cultural event.

Timothy Jordan was born in Detroit, Michigan where he began a career in music at a very early age. Having studied with the regions top teachers and performers he set off on his own "MUSO SHUGYO" or musical wanderings and ended up in Boston, Mass. While there he has performed in some of the top music groups, touring, and recording for live, television, theatre and movies. His percussion skills took him to Japan where he had an intensive study with the drummers of KODO. Mr. Jordan also has studied several martial arts styles including Iaido, the Japanese Sword. He continues today to further his cultural studies and is currently the owner of an Asian art and cultural goods Internet retail business, LIVE COMPLETE and ZENSHO PRODUCTS.com

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