Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66
The following article can be copied but you must keep about the author section.
Common format of a wedding reception:
Arrival of guests at hall
Introduction of wedding party
Introduction of bride and groom
Blessing
Meal
Cake Cutting
Toasts
Bride & Grooms First Dance
Father & Daughters Dance
Mother & Grooms Dance
Special Dances
Bouquet and Garter Toss
Dancing and Fun
Arrival of guests at reception site
Typically, a wedding lasts about 15 minutes. However, some guests do arrive early to the reception. Therefore, be sure all reception to-dos are complete by the start time of the wedding. Also, all wedding vendors should be wearing proper attire for early arriving and late staying guests. All tables should be set-up including cake table, entertainments table, sign-in table, food tables, and tables with chairs for all guests. If you have a seating arrangement, all seating lists should be at the reception with everyones name with where they are sitting.
Introduction of wedding party
This step is not mandatory, but it is nice for everyone to know who the wedding party is as many have not met before your wedding. Create a Reception Planning Guide and give this to your master of ceremonies prior to your wedding. This details, among other things, the order of entrance into the reception site with their names and titles. The order of entrance is as follows: parents of the bride, parents of the groom, ushers with bridesmaids, flower girl and ring bearer, special guests, best man, maid/matron of honor, bride and groom. In addition, review the pronunciations of the wedding party's names with the master of ceremonies.
Introduction of bride and groom
This is always the last of the introductions. Everyone should stand before the bride and groom enter. In addition, a special song can be arranged with the music entertainment and a special announcement made to punctuate a true grand entrance. Also, inform the master of ceremonies how you would like to be introduced: Mr. and Mrs. Smith or John and Jane Doe.
Blessing
This is another step that is not mandatory, but for the religious couples makes a nice setting. If you invite the person who performed the marriage ceremony to the reception, I would recommend having them conduct the blessing. If they are not able to attend, a parent or family friend is a good idea. Lastly, the master of ceremonies could give the meal blessing. Be sure to communicate with whomever is giving the blessing in advance so they are prepared to give a personal touch.
Meal
It's time to eat! Bride and Groom, be sure to stop and take a moment to eat. This may be your only chance in the day. In addition, it is customary for the bride and groom to start the food line. Most guests know to wait until the bride and groom start the food line. So don't be late!
Cake Cutting
This is the traditional bride and groom making the first cut on their wedding cake. Then, the bride feeds half of the piece of cake to the groom and the groom feeds the remaining half to the bride. The cutting of the cake is a ceremony intended to symbolize the caring and sharing for one another. Forks may be used as they make the image very attractive for the photographer. Forks may also minimize the possibility of someone being hurt with the more playful squashing that sometimes happens.
Toasts
The toast is when the bride and groom toast each other then interlock arms and drink. Immediately following, the best man and maid/matron of honor make toasts to the bridal couple. Be prepared for other family and friends to follow with their toasts too.
Bride & Grooms First Dance
The Bride & Grooms Dance is the first dance between a bride and groom as a married couple. The dance is also commonly known as the "First Dance". The timing of the bride groom dance can vary in the evening based on your preferences. The first dance can be done immediately following the grand entrance with the wedding party circling the dance.
Father & Daughters Dance
The Father & Daughters Dance or the Father Bride Dance is the dance between the father(s) of the bride and the bride. Brides, if you have more than one father in your life, one can tap the other on the shoulder in the middle of the dance so you can dance with both of them. If you do not have a father, a common substitute is a father figure or even your brother would make a very nice gesture.
Mother & Grooms Dance
The Mother & Grooms dance is the dance between the mother(s) of the groom and the groom. Grooms, if you have more than one mother in your life, one can tap the other on the shoulder in the middle of the dance so you can dance with both of them. If you do not have a mother, a common substitute is a mother figure or even your sister would make a very nice gesture.
Special Dances
There may be songs in your life that mean dear to your heart. You can ask the music entertainment to play these songs during the night or immediately following the formal dances. An example would be: If someone dear to you passed recently, you may ask the music entertainment to play Angels Among Us by Alabama.
Bouquet and Garter Toss
The traditional tossing of the bouquet is when the bride tosses the bridal bouquet to all single women in attendance. Immediately following the bouquet tossing, a chair is set in the middle of the dance floor. The chair is for the bride to sit and the groom to remove the bride's garter from her leg. The traditional tossing of the garter is when the groom tosses the bride's garter to all the single men in attendance. The people whom catch the garter and bouquet are said to be the next one to marry.
Dancing and Fun
This is what you pay the music entertainment to do...get people to dance and have a good time. Give the music entertainment music examples and limitations of what type of music you want but dont give them a list of 100 songs they need to play.
About The Author: Matt Campbell is the owner and webmaster for Weddingmuseum.com. Weddingmuseum.com is a place to plan, book and rate your wedding day. You can email him at matt@weddingmuseum.com or visit WeddingMuseum.com
latin music downloads
As Seen on the SUNDANCE CHANNELFrom the team behind the Academy Award®-nominated feature CITY OF GOD including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva featured in the motion picture that inspired this series.The CITY is a shantytown located in one of the many mountains of Rio de Janeiro. The MEN are two 13-year-old kids Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.System Requirements:Run Time: 570 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 660200314125 Manufacturer No: PALMDV3141
