Clocks

Two track Canadian single taken from the 2002 album, 'Rush Of Blood To The Head'. The title track, 'Clocks' (Edit), is b/w the non-album cut, 'Crests Of Waves'. Copy Controlled CD. EMI. 2003.
Customer Review: 2 out of 2 isn't bad (even if clocks is overplayed!)
crests of waves is the perfect example of why i like coldplay. it's an interesting song and still a nice pop song (not too different but different enough while not taking anything away from the great flow of the song but adding to it (for me)). it's not amazing but it's really good and very rare these days. i'd have to say it's my favorite of all coldplay b-sides and probably in my top 10 of all of their songs. another note is that the new coldplay album has some songs with more of an electronic song style. like clocks with the simple piano line over and over with the simple loop-like drum beat. and i think those songs usually aren't as good as the more standardish rock songs (ex. in my place). but crests of waves isn't like those electronic-type ones and that's a plus for me.
Customer Review: clocks cd single
I am not usually a big fan of coldplay,however having heard their album A rush of blood to the head this track stood out above all others.This is the edited single version at the time of this review has only been issued in Germany,the U.K single release is due in a few weeks,but I could not wait until them and I bought it from the Amazon German site,and received a very prompt delivery from them,the other track on this c.d single is also worth a listen.

It is that phase in the economic cycle when people do a reality check. Uncertainty looms ahead, and managements drive themselves crazy figuring out where the next big check is going to come from to keep the wheels of the organization running. Cowering in our own cubicle or workbench, we never know when they will hand us our proverbial pink slip and bid us goodbye.

There are two alternatives to handle this economic condition. The first is the tried and tested. Dignity in one pocket and resume in the other, we knock at the doors of the other companies whose outward facade conveys an impression of everything being hunky-dory inside. And get rejected by the people who aren't sure when they themselves will get the boot.

Let us consider this alternative from a different angle. When we were born, we used to be cleaned and washed, fed and clothed and generally taken care of. We used to look up to somebody to do all that for us. Haven't we continued with the same pattern, of looking up to somebody, of expecting a job to become available that we can perform, which will feed us and clothe us and generally fulfill our material needs? Isn't it time we grew up?

As kids, we were given an extra dollop of ice-cream for being good. Remember the visits of the Santa Claus every year? Now we expect somebody to pat our ego and nurse our pride with lofty-sounding designations and nifty little perks - the corner office, that special parking space, the vacation with the family, the topped-up bonus and that ESOP handout, the promotion that gives us the opportunity to look down upon people who once were peers, thank you. And when these goodies are not forthcoming, we sulk and we pout and we go look for another Santa Claus. Tell me really, have we grown up at all?

And so let us see what the second alternative looks like. Here it is!

Which is to use the season of doom and economic gloom to go inward and realize that this actually is an opportunity to get out of the rat race once and for all and do our own thing. Set up our own shop. Be our own boss. Hoist our own flag. I am running out of symbolism, but you get the idea.

Returning again to the kid analogy, remember the things that we enjoyed doing when we were young and not yet entered the rat race, the things that thrilled us the most? When we did what we did because we liked doing what we were doing, and not because we had to do what we ended up doing because that was what the boss wanted us to do. Or else. There is money to be made, you know, in doing things that we enjoy and are passionate about. It is only a question of figuring out how. Let me also tell you, that the figuring out how happens only during times of economic recession, and not when the going is good and everybody is smiling and doing the rumba.

"Realize your own potential" becomes a cliche when the HR boys and girls use it while dangling the golden cage before us. It becomes a mantra when we use it to really understand how far we can go when we are on our own. Have we forgotten life outside the cage? Have we forgotten - or worse, never ever known? - what it means to be free and to do our own thing? To set our own goals, to make our own targets, and to soar as high as our wings and our ambitions can take us?

Or have we become rather addicted to our inner child's needs being taken care of by that neatly-suited-booted HR manager and his / her team of cohorts and headhunters and detectives, spying on every move we make outside the office and trying to figure out what must be going on in our mind, so that we can be, uh, appropriately manipulated?

Or have we rather come to enjoy the performance reviews where the senior takes malicious pleasure in nitpicking the omissions and commissions that we may or may not have indulged in throughout the year? Like the stern teacher handing over the grades in class. The armpits used to sweat the same way then too, didn't they?

Or have we rather come to relish the politics and the backbiting and the gossip and the bitching in the office and the workplace? The latest news about this affair and that, the latest news on who is in favor and who has fallen out of favor, the devil who is badmouthing about us behind the back ... oh, won't we miss them all?

Let's step out of the world we have immersed ourselves in and become comfortable in. And step into the world of freedom. Let's find the vocation that we enjoy the most. Let's learn the right skills that are needed to survive and thrive in the market. And take the plunge with faith and belief in self. Success and prosperity are waiting to be ours, if only we reach out for them. Let us be brave for a change. Let's reach out! Now!

Sanjay Agrawal is a writer and self-development enthusiast. Enjoyed reading this piece? Find more on his blog here: http://success-nirvana.blogspot.com

Copyright 2008. All Rights Reserved Worldwide. Reprint Rights: You may reprint this article as long as you leave all of the links active, do not edit the article in any way, and give author name and blog name credit.

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Coldplay - Rare Vintage GIANT Group Poster (Approx. 55'' x 40'')

FREE Penny Lane Gifts magnet with every poster purchase!This Coldplay vintage group giant poster is approx. 50'' x 40''

The term Ballroom Dancing is the most general and the oldest term that is used to describe formal dances and generally includes Waltz, Tango, Slow Foxtrot, Quickstep and Viennese Waltz dances as well as some of the Latin dances. There two types of waltz in this group, the Classic Waltz and the Viennese Waltz.

The Classic Waltz is known as the mother of dances as it was the first dance where people actually danced in front of each other. This made it a very exciting dance when it was first introduced. It is based on an 18th century Austrian folk-dance and the steps are based on a box step with a rotary motion. The Classic Waltz, or the 'slow' or 'English' Waltz as it is sometimes called, is known for a gliding motion with a slight rise and fall and is normally danced to a slow tempo which requires a large degree of control to dance well.

The Viennese Waltz on the other hand is elegant and beautiful to watch. It is sometimes seen in movies and even Disney cartoons! As the name suggests it is linked to Vienna where the Aristocracy danced the Viennese Waltz to music by Strauss and other classical composers. The Viennese Waltz is a faster movement than the Classical Waltz, and is danced at about 180 beats (58-60 measures) a minute, as opposed to about 90 beats per minute with 3 beats to the bar for the Classical Waltz.

The Viennese Waltz is a rotary motion where the dancers are constantly turning either in a clockwise (natural) or anti-clockwise (reverse) direction. This is interspersed with non-rotating change steps to switch between the directions of rotation. Furthermore, in a properly danced Viennese Waltz, couples do not pass, but turn continuously left and right while they travel counterclockwise around the floor following each other in procession. Although this dance is still danced on social occasions, it is more usual for the Classical Waltz to be used.

In the Standard dances such as the waltzes, men traditionally wear formal coat-tails, vests or waistcoats, and bow ties. Women wear elegant and colorful gowns, often with sheer fabric draped from the shoulders or arms. Partners remain in closed position facing each other, throughout the dance, and movements tend to be elegant and sweeping.

American Smooth allows more open work where the partners can separate from each other and dance in open positions. American Smooth can be best described as a variation of ballroom dancing with an enhanced range of movements and exciting steps. All basic principles and the technique of ballroom dancing still apply, however partners are not required to maintain a continuous body contact. The removal of the body contact restriction allows the dancers to perform a variety of new steps such as: lady under arm turns, spins, side by side positions, parallel turns, dips, drops and other variations that would never be allowed in the traditional ballroom dancing.

The term 'Ballroom' has been used to describe Waltz, Tango, Slow Foxtrot, Quickstep and Viennese Waltz as a group of dances together with a range of Latin dances such as the Rumba, Quickstep and Cha-Cha-Cha. Ballroom dances may have at one time also included historical dances like Minuet, Quadrille, Polonaise, Pas de Gras, and Mazurka. However there was no standard definition and so as different dances were introduced new terms were introduced to differentiate these. "Modern Ballroom" (in short "Modern"), was introduced in Britain to referring to Old Time, Sequence or Latin-American dances.

But in Europe the term "Modern" was already frequently used to describe a totally different type of dancing (eg. jazz or other form of solo dancing), so the term Standard was introduced instead. But "Standard" had an unclear meaning in America, where there is an American version of it called American Smooth. Therefore American's introduced the term "International Standard" to make the difference clear.

In spite of its historical image as a pastime for the privileged; formal competitions, sometimes referred to as DanceSport, allow participation by less advanced dancers at various proficiency levels. In the United States, amateur dance proficiency levels are defined by USA Dance (formerly United States Amateur Ballroom Dance Association,) The International Olympic Committee now recognizes competitive ballroom dance. It is doubtful that it will be included as an official sport in the Olympic Games especially in light of efforts to reduce the number of offerings, but the application has not been permanently rejected.

Of all of the dances, the Waltz is the perfect one to learn first. It can be learnt in a few minutes and yet can take a lifetime to master.

Roger Titley manages a successful Internet Marketing Company that operates a number of websites that cover a range of topic. For more articles and information like this article, then visit http://www.studiodancing.com

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